I suppose it should have been no surprise that circumspect little Joan, whom I had taken to calling Polly years before, for long forgotten reasons, should have a collection of spectacles. Still, as I packed her personal effects, carrying piles of folded linens and painted canvases into the dusty little living room, I was overcome when I found them. This wasn't the treasury of a collector, but the accidental accumulation, through evolution, of a life's worth of incrementally worsening prescriptions. It was like seeing a snake's discarded skins, all lined up in order. Polly never bothered with the cases, for what was the point if she needed them on whenever she was awake (and many times when she fell asleep still hungrily reading the New Yorker), so there in a shoebox in the back of the bathroom linen closet they sat, all lined up and staring, bright and wide-eyed, puppies in a pet shop window. In chronological order, more by coincidence than design, the pair third from the front collected my attention immediately. It was these she had worn the first time I met her and for years thereafter. The lenses were thick enough to impart a slight blue color, like a pool of clear water whose depth gives it hue, and as I thought of how this tinge intensified the stalwart gray of her eyes, I realized I was crying.
A Tuesday morning.
"There really isn't an easy solution, sweetheart," she swirled her coffee (two sugars, two creams), holding the mug in both hands, and stared into it as though divining my future from tea leaves.
"Well, yeah, I hadn't expected an answer, I guess. But you're always so clever about these things."
There was a long pause, each of us staring into our chipped mugs. Hers was the burnt orange one with the ludicrous chartreuse daisy, hand-painted in Guatemala or somewhere; I always used the robin's egg blue one, big as a soup-bowl and stone heavy, whether I was drinking black coffee (just a bit of honey) or Merlot.
"I'm not so clever, little girl. Just old," she smiled, sadly, "Old and honest. When you've been talking and watching for enough years, you start to see the patterns to things... even a broken clock is right twice a day."
There was something about Polly's living room, a little space nested between high walls of bookshelves and framed photographs, couches and curtains, that felt as though it had been orchestrated too perfectly, too consciously, to suit her. This, she once explained in conspiratorial, chuckling whispers, was the great secret of being alone: one becomes not only the director and character writer of her own story, but her own sole set designer as well.
Objet d'art of every style and stripe somehow found utopian congress in the little flat, Quichole beaded bowls became vessels for Dutch wooden buttons, crystals from dismantled French chandeliers dangled from iron curtain rods gleaned from a Tuscan farmhouse and a stuffy English highboy sat tidily cluttered with found arrowheads and beautiful, mysterious pebbles. This woman had lived like a tireless little raven, taking flight to all corners of the world, observing and discerning, and then returning to her nest with whatever sparkling quarry was light enough to carry home. Even in distilling and packing these wares, after all the years of our friendship, I found countless objects in plain view in the room that I had never noticed before.